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Profile Summary

With two MA's under her belt, in American Literature and Publishing, and two years of publishing experience, Sandra headed to Marjacq as a literary agent in 2014. At Marjacq, Sandra looks after the foreign rights aspect of the business as well as building a client list of her own. Her clients include Katarzyna Bonda, Paul Crilley, Lauren A Forry, Gemma Fowler, and Andrea Tallarita.

Sandra's list is comprised of fiction writers from a wide gamut of genres. From the more realistic end of the spectrum, Sandra is interested in literary fiction, women's fiction, and commercial genre pieces, such as crime and thrillers. But even with those preferences, she loves a weird, wonderful, and original tale that often involves the fantastical, for either adults or young adults. While hard science fiction is a no-go for her, she loves a good fantasy or SF twist on an otherwise familiar story. At the moment, her wishlist consists of gothic mysteries, upmarket historical fiction, action-packed commercial genre titles, road novels, works set in a university, and book club fiction.

While her reading habits are varied, Sandra is categorical about her lack of interest in any spiritual or comedic books. The key to winning her over is to write something she has never seen before. To illustrate this desire, Sandra references Lauren Beukes' excellent novel, The Shining Girls. Beukes took a well-trodden genre piece of a serial killer and turned it into a fantastical, mind-bending SFF mystery. Along with quirky and original ideas, novels that catch Sandra's eye tend to be character driven.

Note that she likes the cover letter to be about the writer, not the book. Be sure to talk about your achievements, goals, and any other relevant snippets of information about yourself. Save the discussion of what the book is about for the synopsis. And most importantly, be succinct!



Detailed data

Agency:
Marjacq Scripts
Agent since:
2014
Short biography:

Sandra joined the agency in March 2014 after two years of working for UK publishers and a variety of placements with agencies. Prior to that she was studying and completed two degrees - MA in American Literature from Warsaw University and MA in Publishing from Kingston.

Client list status:
Keen to build client list
Genres this agent is interested in:
Young adult fiction, History, Women's fiction, Science fiction, Paranormal romance, Horror, Historical fiction, Fantasy, Crime, thriller, action, General Fiction, Literary Fiction
Authors & books liked:

She takes care of the worldwide foreign language rights for all authors represented by Marjacq, and is actively building a list of her own clients in English. Her main areas of interest are contemporary and historical women's fiction, YA, science fiction, fantasy and literary fiction. Comedies and spiritual stuff are just not her thing. Sandra loves complicated characters, richly described worlds, road novels and pretty much anything with university setting.

Other loves & passions:
No Data
How to make a submission:
Please email her with your submissions.
Other advice and background:

An Interview with Sandra Sawicka
Q. What books/authors do you love in commercial fiction? (Crime, women's) Give us some examples and why you liked these books/authors.

Erin Morgenstern -- Night Circus -- I think it's magical and different to anything I've read before.
The Shining Girls -- Lauren Beukes -- I have a bit of a soft spot for serial killers in literature, but after a while they all get a bit samey, this though was a breath of fresh air. So original and it all came so well together in the end.

Q. What books/authors do you love in literary/historical/book group fiction? Examples and reasons, please!
Donna Tartt -- Secret History -- from the opening line to the very end I was engrossed. The darkness, daring and imagination that went into this book, astonishing. I love the relationship between the main characters too.

Jeffrey Eugenides -- Middlesex -- I was always allergic to people saying things like 'this book will change your life' -- this one did, though. It tackles difficult, sometimes taboo issues of gender and cultural identity in such a tender, warm way.

Bret Easton Ellis -- American Psycho - dark and disturbing, a biting satire of the 80s, got to love.

Helene Wecker -- The Golem and the Jinni -- such a great debut, I love the setting, the old New York and the main characters, a contemporary fable.

Ruth Ozeki -- A Tale for the Time Being -- I loved the hook for this book, a Japanese lunch box washes up on Canada shore post-tsunami, containing a teenage girl's diary -- I was gripped.

Chad Harbach -- The Art of Fielding -- I know nothing about baseball, but I still loved it. Quite like Eugenides, Harbach writes literary fiction with broad appeal.

Q. How about sci-fi/horror/fantasy/paranormal/YA dystopian/erotic? What would you be interested in, and what's a big no?

Philip K. Dick -- Ubik -- an old classic from a visionary writer. A great concept and the ever-present paranoia, so typical of Dick's prose, make it a fantastic read.

Neil Gaiman -- Neverwhere -- as a Londoner, I love the idea of this other world underneath. Also, strikingly original.

Charlaine Harris -- Dead Until Dark -- guilty pleasure. I love Sookie Stackhouse and her wit and resourcefulness. Always a fun read.

Stephen King -- Christine (and many more) -- I think Christine is my favourite out of all King's books I've read, because he takes a ridiculous idea and makes it so damn scary -- and that takes a skill.

Laini Taylor -- The Daughterof Smoke and Bone -- a YA novel set in my favourite place ever -- Prague. Also, unlike any other YA paranormal novels out there.

I'm drawn to original concepts and well-constructed worlds. Complex characters, perhaps with a dark streak or a dry sense of humour, are always a plus.
No hard sci-fi, though.

Q. On the non-fiction side, are there particular areas that interest you? Does your non-fiction list have a particular slant to it?

I love popular science, so it would be great to find an interesting project in the field, I'm particularly interested in astronomy (but for 'normal' people -- think Brian Cox's Wonders of the Universe), latest discoveries in science, genetics etc.
Fashion and travel (but not memoirs), as well.

Q. And are there any areas of zero interest to you in non-fiction? What would you NOT want to see?

Humour, military, history, body & spirit, paranormal experiences (not sure that's a genre- but please, please don't send me your alien abduction stories).

Q. Is there anything in particular you'd love to see at the moment?

I would love something that takes the well-known genre/trope/stereotypical character and twists it inside out. In other words -- something new, exciting, but fun and approachable at the same time.
As for genre -- I'm always on a look out for good women's commercial fiction (but not chick-lit), historical and YA.

Q. What's your biggest turn-off in a covering letter? What would you really hope to see?

I hate when people tell me what the book is about in the cover letter -- and then I have the same thing all over again in the synopsis. Cover letter, to me, should be about the author, what they have achieved so far, what they are looking for etc. It's always a nice touch when I can tell they actually have gone to the trouble of reading up on my interest and it's not a blanket submission.

Be succinct, but remember this is your chance to grab the agent's attention, so 'Please find the synopsis & 3 chapters attached. Kind regards,...' might not be enough.
Misspelling my surname is a big no-no, too.

Q. What are your biggest peeves in an opening page or opening chapter? And what do you love to see?

Rhetorical questions! That goes for the cover letters too, by the way.
Typos.

Obviously, something that will draw me in from the first line would be ideal, but I appreciate this is not easy to do. I'd say avoid the clichs, like two people talking in a bar, or someone entering the room. Or a murder. A newspaper article. A dream. The list goes on...
My all-time favourite opening is Donna Tartt's The Secret History.

Q. Do you have any unpredictable loves?


Yes! University setting. I don't care what genre, could be anything, love 'em all.

Attends Festival of Writing or other WW events?
Yes
Follow on Twitter:
@sansawicka
Interesting links:
http://www.marjacq.com/submissions/books-guidelines
Clients:
Katarzyna Bonda, Joseph Brady, Mary Chambers, Paul Crilley, Rose Edwards, Lauren A. Forry, Gemma Fowler, Jasmin Kirkbride, Angela Lee, Nicola Martin, Steve Mosby, A M Moskovitz, Andrea Tallarita, Claire Waller, Matthew Youlden
Full client list:
http://www.marjacq.com/sandra-sawicka.html
Email address:
sandra@marjacq.com

Agents of: Marjacq Scripts

Agency details

Website:
http://www.marjacq.com
About the agency:
Marjacq Scripts, the literary side of the Marjacq agency, has been developed by Philip Patterson (with the recent addition of Isabella Floris) and Luke Speed, responsible for film and TV. Marjacq Scripts is now a growing book, film and television rights agency, representing a range of established and 'up and coming' authors, screenwriters, directors and graphic novelists. We also represent the publication, film, television and ancillary rights to some of the interactive titles handled by Marjacq Micro.
Address for submissions:
Marjacq Micro Ltd., Marjacq Scripts Ltd, Box 412, 19/21 Crawford St, LONDON? W1H 1PJ
Office address:
No data
Email address:
subs@marjacq.com
Phone number:
020 7935 9499
Number of agents:
7
Accepts email submissions:
Yes
Submission type:
Standard (Letter + Synopsis + First three chapters)
Further submission info:
We are always happy to review new work. Please send a covering letter, a synopsis showing the structure of the completed work, the first three chapters, page numbers, double-spaced, single side of A4, typed (marked for the attention of Philip Patterson), a self-addressed, stamped envelope if you want to have your material back.
More info on this agency:
No data
Average response time:
8 days
Agency Transparency Index:
38/100
Member of the AAA:
Yes
Overseas offices:
None
Accepts overseas writers:
No
Follow on Twitter:
@MarjacqScripts
Latest news:
None
More about the agency:
Marjacq Scripts, the literary side of the Marjacq agency, has been developed by Philip Patterson (with the recent addition of Isabella Floris) and Luke Speed, responsible for film and TV. Marjacq Scripts is now a growing book, film and television rights agency, representing a range of established and 'up and coming' authors, screenwriters, directors and graphic novelists. We also represent the publication, film, television and ancillary rights to some of the interactive titles handled by Marjacq Micro.

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